Posted in Writing

“Winding Road”

by Amanda DeLalla

I heard they’ve been talking of me again
On a ship bound for NYC
I heard that they’d held my heart and
Wondered what could become of me
I’ve been the girl who loves too much
I’ve been someone who can’t understand
I’ve had my highs and lows and such
And all according to plan
No I don’t always know what to say
But I’m gonna try harder with every single day
(Refrain) Oh, I’ll be cracking this code
Chase the sky along this winding road
Just try to break me down, I’ll find a way
And I’ll rise, rise above it all someday (End refrain)
I heard you think I am cold or strange
Some would say my dreams are out of reach
I heard it said I can’t cope with change
But I’ll learn to, and maybe you could teach me
I fly with a broken wing
And still me and you want the same things
(Refrain)
Oh, there’s no time like right now
For goals and a smile and romance
There’s no time like right now
To give this winding road another chance
(Refrain)

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Posted in Writing

“Good Girls”

by Amanda DeLalla

How does someone like you
End up with someone who
You look back as a bitch?
Could you open your heart,
Jump into a new start,
Without fear of a hitch?
In my looking glass
I see my past
And your tomorrow
(Refrain) Oh, hold on for a little bit longer
Till I’m stronger
Hold on and it don’t have to be
Something you wish were gone
But guys like you don’t happen to good girls like me (End refrain)
I’ve heard it all before
How to knock down your door
Taylor Swift’s writing songs
I can only be me,
Can you see practically
I’m where your heart belongs?
In my little black book
You should take a look
Spare yourself the sorrow
(Refrain)
I’ll kiss away your tears when you are blue
Girls like me should happen to guys like you
(Refrain)

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Posted in Writing

Is Regina George the Real MVP of North Shore High?

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Disclaimer: This is an extended metaphor.

If you’ve seen the hit movie Mean Girls, you know that protagonist Cady Herron collectively refers to the behavior of her female classmates as “Girl World.” At the beginning of the story, Girl World is in a state of chaos- cattiness, backstabbing, manipulation, you name it. But by the end of the film, as Cady says: “Finally, Girl World was at peace.”

You may wonder how Girl World came to that point, and there could be many correct answers. Was it because Cady and her friends decided to take down the main instigator of the problems, Regina George? Perhaps it happened because Ms. Norbury held the mass intervention in the gymnasium, enabling the students to come clean and heal their wounds. But there’s one other possibility- that Regina herself was the unintentional catalyst. Say what?!

Long story short: For the entire movie, everyone was doing terrible things in secret and behind a smiling veneer (Cady included). When Regina spread the contents of her damning Burn Book, the situation’s true severity came to light, and it was only then that it could be fixed for good.

I’ve felt a similar sentiment in my struggle with cliques of smaller theatre communities. To use a hypothetical example, suppose there is a local actress who repeatedly gets cast in major roles with one company. To me, this is problematic because it would appear that the company has her in mind from the start. They will insist in the audition notice that “all roles are open.” So you mean to say that of EVERY young woman that showed up, NONE came even close to the “repeat offender,” so to speak?

Look, if you’re going to use the same closed pool of actors in every production, like a “troupe,” that is totally fine. In fact, this isn’t that uncommon! But at least own up to it. Don’t waste the time and get the hopes up of people who audition for your shows. It’s not transparent and reflects embarrassingly on your organization.

Maybe, in towns across the United States, somebody ought to call this stuff out. Some thespian should take on the role of Regina George.

(Happy Tony Awards week, everyone!)

Posted in Writing

“Sky Full of Stars” (Theme from…)

by Amanda DeLalla

We were kindred souls
Even with our clearly-set roles
I could tell from your sparkling eyes
How my heart was in for a surprise
In my head
I would remember every word you said
Carved craters on the moon
In my head
Stained like the surface of Mars with red
Giving both life and ruin
(Refrain) And all I see when you’re with me
Is a sky full of stars
Complex as cosmology
And so very far
Maybe one day you’ll understand it
How I might as well be on another planet
Just me where you are in a sky full of stars (End refrain)
Circumstance isn’t kind to me
I know well that this never should be
You’ve got plenty of things to do
I fear nothing when I’m standing with you
All this time
I’ve felt I’m guilty of some awful crime
Floating up on some cloud
All this time
Loving you like this is an endless climb
Loving you ain’t allowed
(Refrain)
Take me on a rocket to fly
So I’ll never have to say goodbye
Take me on a rocket to fly
No I never wanna ever have to say goodbye!

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Posted in Writing

Daily Prompt: Trademark

Exciting news from your humble author!

My first collection of essays and lyrics, Tragedy Tomorrow, has been published and is now available for purchase! You may recognize some of the writing as posts made right here on Puccini’s Chronicles.

The book is currently being sold through McNally Jackson independent booksellers- based in SoHo- but I am looking for other outlets as well.

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Of course, the essays are themed to the arts and living with autism in the Big Apple (that is my trademark). The lyrics come from my original musical shows and some standalone songs. Tragedy Tomorrow only costs $10 and can be ordered very soon.

Posted in Writing

“Elton John”

by Amanda DeLalla

I told you once as we lied in bed
A memory that doesn’t leave my head
The fish was seared; there were lights on the tree
And for one night a year
I felt like I had a family
Sharing a laugh with my cousin Helene
Wine flowing free on a snowy scene
The music plays and the candles burn
Then in a week, the loneliness returns
The trouble with me is that I feel too much
Or do not feel enough
Or simply out of touch
Whatever I felt then, don’t worry, it’s gone
I’ve only got Christmastime
And Elton John
Fast forward to the summer and suddenly
You steal my heart, you’re loving me
And your song plays on a crocodile rock
I expected forever
I was in for a shock
To my soul you held the key
And now you wanna be a memory
Never mind, you’re already gone
Leaving me with Christmases
And Elton John
Why can’t things ever stay so simple?
People die, they despair, they have grown
Life won’t promise to be that simple
So I’ll wait and I’ll dream alone
Friday night, he holds me close

Candy canes and a silver bell and it snows
I can smile at him despite what we shared
The time is now; I’ve left it all there
Something’s in the air, could I ever move on?
Taking my Christmases
And Elton John

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Posted in Writing

Chill Demands Cocoa: The Thespian’s Guide to Hot Chocolate in NYC

Didn’t expect to see me so soon, did you? Well, as it turns out…I’m full of surprises! Although it’s still plenty warm here in New York, we have officially entered the autumn season, so those temperatures are bound to drop soon. And what better way to cope with the cold than by enjoying hot chocolate? Today, I’m going to share some great places for you to drink up. As a bonus, I’ve even hand-picked classic songs to match the mood of each location. Cheers!

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MARIEBELLE: Looking for some old-fashioned ambiance with your confection? Look no further than Mariebelle in SoHo, whose very name oozes class. What’s interesting about their homemade hot chocolate is the amount of flavors you can choose from. These variants range from milk chocolate with hazelnuts all the way to white chocolate with banana! Relevant music– “I Never Do Anything Twice” from The Seven Per-Cent Solution

MADISON & VINE: Nestled in the heart of Midtown is this elegant restaurant embedded within a hotel. Of course, you can have your fill of tasty food here, but there’s something on the drink menu you may not know about. Seasonally served, their hot chocolate is made with brandy, dark crème de cacao, spiced chocolate, and whipped cream on the top. Scrumptious! Relevant music– “Before the Parade Passes By” from Hello, Dolly!

MCNALLY JACKSON: Books and hot chocolate on a cold winter’s afternoon are the stuff of dreams for hipsters everywhere. In this indie store, indulge your thoughtful side by sipping a mug of their Italian Agostoni dark chocolate concoction. It is made via melting the good stuff with hot water and then blending it with Hudson Valley milk. Relevant music– “Will He Like Me?” from She Loves Me

THE CHOCOLATE ROOM: For the environmentally conscious folk, this café places an emphasis on “sustainably sourced chocolate.” It actually has two Brooklyn locations- one in Park Slope and the other in Cobble Hill- and they both work with a fair trade co-op in Madagascar. As far as hot cocoa goes, each cup is topped with a giant marshmallow and may include an espresso or alcohol shot. Relevant music– “In Summer” from Frozen

NUNU: Not many people can say they’ve enjoyed a cup of hot chocolate within a chocolate factory. But pay a visit to Nunu in Brooklyn, and you can say just that! Their flagship location has small chairs and activities perfect for children…but the whole family will enjoy watching sweet treats get made and dipped as they drink. Relevant music– “When the Children Are Asleep” from Carousel

IL BUCO ALIMENTARI: At this NoHo spot, the atmosphere is warm and casual…rather perfect for a cozy date! You and your beloved can enjoy a mug of their signature hot cocoa, brimming with Guanaja goodness. This kind of chocolate is made with 70% dark and 30% white- plus a marshmallow. It comes in flavors ranging from rosemary to cinnamon to burnt orange. Relevant music– “Liza” from An American in Paris

Posted in Writing

Cut Song: “Bring Me Home” from SUMMER’S CHILD

by Amanda DeLalla

HOLLY:

BRING ME HOME

KEEP ME AT YOUR SIDE AND THEN

BRING ME HOME

SO I CAN FEEL ALIVE AGAIN

SO WHEN THE SUN WILL RISE

AT EVERY DAWN’S BRIGHT CRACK

YOU CAN LOOK INTO MY EYES

AND I’LL BE LOOKING BACK

OH, WHAT GOOD IS A MEMORY

IF IT ONLY BRINGS YOU PAIN?

IF I LOSE THE PAST, SET MY SOUL FREE

ALL MY STRENGTH I CAN REGAIN

I’VE NO ENERGY LEFT TO ROAM

SO OH, OH, OH BRING ME HOME

YOU AND ME COULDA BEEN A GOOD FIT

 

DEXTER:

DON’T YOU WASTE ANOTHER MINUTE

 

BOTH:

STEP ON INTO YOUR FUTURE

AND SEE WHAT COULD BE

DON’T LET YOUR FEAR OF ONE OR TWO

KEEP YOU FROM DOOR NUMBER THREE

 

DEXTER:

BRING ME HOME

DON’T SAY ANOTHER WORD

BRING ME HOME

IT’S ALL YOU, OR HAVEN’T YOU HEARD?

BRING ME HOME

 

HOLLY:

BRING ME HOME

 

DEXTER:

BRING ME HOME

 

HOLLY:

BRING ME HOME

 

BOTH:

REWRITE THIS FATE

LET GO OF MY HATE

IF YOU’LL GAIN WHEN YOU LOSE

 

HOLLY:

THEN I KNOW WHAT I SHALL CHOOSE

 

BOTH:

AND BRING ME HOME

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(Source: Christopher Clark)

Posted in Writing

In Which I Take the NBC Studios Tour

Note to self: Don’t attempt to take an hourlong tour during a lunch hour. As I should have known from my past tour guide job- it will run long and then you’ll be rushing back to your building in 75-degree heat. But I digress.

As promised, folks, this is a special recap post of my journey through the innards of NBC Studios at 30 Rockefeller Plaza. Incidentally, you probably noticed that my blog has a brand new look, too! I didn’t actually plan for these two to coincide. Anyway, entry into my 1:20pm tour cost about $30, which wasn’t too bad for a single person…but I can see how a large family might run into problems with that admission.

After checking in at the gift shop, I was given a really pretty pin to wear for the duration of the tour (and keep after it was over). There were about three different stations of security check as well- understandable. There were 12 of us in the group, and we were then introduced to our guides Ariel and Deborah, both students in the elite NBC Page program.

The tour officially began with a short video (hosted by Al Roker, of all people) that explained some of the history and significance of NBC. After heading up the stairs, we were in the rotunda; this is where audiences for the live broadcasts are corralled. This rotunda is a throwback to the original Art Deco designs of 30 Rock.

The first studio we visited belongs to Nightly News with Lester Holt. It was a cozy, sleek room with wood panel floors and plenty of lights and cameras. Ariel and Deborah explained that this studio is also the one that gets used for breaking news stories, as its technologies are well-suited for change on-the-fly. As we left, we saw a glass casing that memorializes NBC journalists who died in their line of work.

To balance this somber moment, we next rode an elevator to what the girls called “the comedy floor.” Sure enough, they had an entire hallway dedicated to Saturday Night Live, including production stills from past and present seasons. When we entered the studio where the show is filmed, I was surprised at how simple it looked! Indeed, a lot of behind-the-scenes magic occurs on the three parts of the SNL stage. Sets are assembled and taken apart in the span of a commercial break! And did you know that “Weekend Update” is the only sketch that occurs every single week?

As we proceeded, Ariel and Deborah mentioned that we may or may not get to see Jimmy Fallon’s studio for The Tonight Show. But we were lucky enough to catch them on a lunch break, so in we went. Fallon’s desk and his announcer’s podium looked very different than on television; as we learned, this is all due to great camera tricks. The Roots band gets their own “pit” on the opposite side.

After another short elevator ride, we arrived at the control floor, where hardworking production people manipulate the technology. We saw rooms at work with cameras, audio, and music mixing (one guy even waved at us). It was also time for the zenith of the tour: an interactive mock talk show, starring us tour guests.

We were each assigned roles- I volunteered to play the celebrity guest, because it was the only part that wasn’t totally scripted. And, well…let’s just say I hammed it up like a butcher shop…

All in all, The Tour at NBC Studios was a really cool way to spend my lunch hour. I had fun, I learned some interesting information, and- perhaps best of all- it enabled me to get one more notch on my NYC adventure bedpost. Well, so to speak!

Posted in Writing

Round and Flat Characters, as told by Fire Emblem Fates

When I was a freshman in high school, I learned that all characters (whether from books, movies, etc.) could be grouped into one of two categories: round and flat. Simply put- round characters have a multi-faceted development, while static characters do not. It doesn’t necessarily mean that the latter equates to an unimportant character, but round ones are typically those that readers find more interesting.

I’d like to illustrate this concept with two characters from the Fire Emblem video game series…I haven’t written a gaming-themed entry in a while, so here you go. Furthermore, I believe these two are good examples because they also happen to complement each other: they are twin sisters. Warning…spoilers ahead!

On the left is Felicia; Flora (not to be confused with my blonde doll) is on the right. In the world of Fire Emblem Fates, both girls serve as retainers to the main character (Corrin). Unfortunately, when Corrin is forced to choose between the armies of Hoshido and Nohr, the plot (fate) of everyone in his/her life takes a drastic turn.

Felicia is the twin that we see more of in the game, but Flora (in my opinion) has a far more complex character arc.

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From start to finish, Felicia is the faithful servant- quite clumsy with her work, but always someone with a warm heart. She and Flora live in Nohr, but even if Corrin goes to Hoshido, Felicia follows them. And that’s pretty much it. Flora is a different story.

Flora is revealed over the course of the game to have many underlying personality aspects. For one, she is secretly in love with Jakob, one of Corrin’s other retainers, but she cannot actually marry him…for reasons unknown. Furthermore, although she loves her sister deeply, she is also resentful of her. While Flora is a far more capable maid, Felicia is a stronger warrior.

Flora also feels a strong sense of responsibility for the village where she was born, as the elder daughter of its Chieftain. All of these combined factors determine what happens to Flora after Corrin chooses an alliance. If they fight for Nohr, they actually wind up battling Flora when the latter thinks that Corrin is out to destroy her tribe. Ultimately, however, this confusion is cleared, and Flora later joins Corrin’s front lines.

If he/she stands with Hoshido, the situation becomes more complicated. As Corrin and their friends infiltrate Nohr, they meet up with Flora, who promises to provide sanctuary in her village. In a stunning twist, Flora betrays them when they arrive and sends tribal warriors out to attack. We later learn that Flora did this because the wicked king of Nohr threatened to kill her entire community if she did not.

Corrin tries to convince Flora to join his/her team, but she is overwhelmed with guilt over the betrayal and commits suicide in front of Corrin, Jakob…and Felicia. (This scene is the first truly tearjerking moment in the tale.)

Bottom line? I was able to tell Felicia’s story with one paragraph. It took four paragraphs to adequately summarize Flora. That, my friends, is how you can identify a flat character from a round character!