If you don’t know who this fellow is, you’re probably at the wrong blog. (Just kidding…I welcome all readers who wanna talk about the arts.)
But seriously- I attended a preview performance of Manhattan Theatre Club’s Prince of Broadway on Friday, and I walked away from it astonished. Astonished that one man could helm so many productions that make for theatrical lore. As the show notes, it takes luck, guts, and hard work. Harold Prince socked away all of these.
Perhaps even better than the crash course in Prince’s career was getting to see the production’s superb cast bring it to life. For me, Tony Yazbeck was the standout. This easy-on-the-eyes triple threat blew the roof off the Friedman Theatre with “The Right Girl” during the Follies segment. Let me tell you something about that song. When I saw Follies on Broadway, I remember feeling that “The Right Girl” was the weakest song in the score. Yazbeck’s rendition of the number changed that. To say he danced the hell out of this song would be the understatement of the year. He also seemed to get the most applause at curtain call.
Chuck Cooper’s Tevye (from Fiddler on the Roof) and Emily Skinner’s Desiree (from A Little Night Music) were also major crowd-pleasers.
Another memorable moment was Janet Dacal’s “You’ve Got Possibilities” from It’s a Bird, It’s a Plane, It’s Superman. Yes, there was a superhero musical before Spiderman: Turn Off the Dark. And it also did not fare too swiftly. However, I think “You’ve Got Possibilities” is one of the greatest ditties ever written for musical theatre. It’s snappy, it’s funny, and the lyrics are wonderfully written.
Bryonha Marie Parham was particularly impressive, too, because she probably showed the most versatility in the characters she portrayed. After delivering a glorious “Will He Like Me?” from She Loves Me, she proceeded to belt her way through the title song of Cabaret. This lady’s vocal range must be nuts.
This show reassured me that anything is possible if you’ve got a great support system and are willing to take risks. All in all, I walked away from Prince of Broadway in a very inspired frame of mind. And isn’t that what going to the theatre is all about?