I had lots of adventures this week. Between that viewing of The Star and a job interview and touring the National Arts Club, I was a busy bee. But perhaps the most exciting thing I did was attending the 1st preview of a Broadway show…a little Atlantic Theater transfer known as The Band’s Visit.
There are very few musicals like The Band’s Visit out there today. Ones that don’t project, don’t spiral, don’t flash…but just ARE.
The show doesn’t even follow a consistent plot arc, really. Each character’s thread- from musical conductor Tewfiq (Tony Shalhoub) to the wistful Telephone Guy (Adam Kantor)- is like a vignette comprising the whole. As the opening lines remind us, the events of the story “aren’t very important.” At least, maybe not in the grand scheme of things…but to these characters, they mean the WORLD.
It might sound like I’m getting philosophical, but you can’t not think about the meaning of The Band’s Visit. If I had to describe it in one word, it would be: simple. Beautifully simple. It cuts through much of the modern musical theatre BS and unearths our shared humanity as only this medium can.
Perhaps that sentiment is best expressed in one of the show’s best numbers, “Omar Sharif,” a haunting solo for Katrina Lenk’s character, Dina. This song is a memory of Dina’s childhood and how music continues to play an important role in her spiritual health. She recaptures that wonderful feeling through her relationship with Tewfiq. Meanwhile, in one of the story’s more comical moments, a charismatic member of the orchestra coaches a young man in the art of talking to girls.
Again- it is all very simple, and yet very real. It reminds me of how an old teacher once described Thornton Wilder’s Our Town: “a celebration of the mundane.” But it is there that we often find the interactions that matter most.
Just by nature of its uniqueness, I hope The Band’s Visit is able to find as much success on Broadway as it did during its run in Chelsea. True, its quietness might not be for every theatergoer…but, in my humble opinion, it is still an important piece of the tapestry called the modern American musical.