It Takes a Woman (Three, actually)

Greetings, readers! Sorry this post is late, but it was a long week and I was also suffering from some writer’s block. (Drat!) Luckily, I found some great subject matter this weekend in the form of a production of Jerry’s Girls.

My doll, Cecily, is on hand to help me with this recap.tumblr_ocyid8cb591thkr0po1_500
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The show was presented at my theatrical home-away-from-home, off-Broadway’s York Theatre Company. It is a breakneck revue of the songs of Jerry Herman, composer/lyricist for such classics as Hello Dolly!Mame, and La Cage Aux Folles. He was also the brain behind some lesser successes, i.e. Mack and Mabel and Dear World. Nevertheless, the fact that a piece of the Jerry Herman songbook is able to fill a 2-hour show…without any dialogue…cements him as one of musical theatre’s literary greats.

I got tickets to this production as a birthday gift for my grandmother, who loves all those old showtunes. It starred “two Stephanies and a Christine,” tasked with singing every number as a solo, duet, or trio- no ensemble required.

What I found particularly interesting was that each actress seemed to have a particular strength. Stephanie #1 (D’Abruzzo) was the physical actress, Christine (Pedi) was the classic comedienne, and Stephanie #2 (Umoh) was the torch singer. There was never a dull moment, thanks also in part to the charismatic (and very animated) pianist, Mr. Eric Svejcar.

Group songs like “Take It All Off” and “Hello Dolly” produced big laughs and inevitably brought the house down. In my opinion, each lady also had a couple of standout solos. I loved Christine’s rendition of “The Man in the Moon” from Mame, originally recorded by the peerless Bea Arthur…heaven rest her soul. Stephanie #1 delivered a simultaneously poignant and rousing “Before the Parade Passes By.” And Stephanie #2 showed off every vocal chop with a knockout performance of “I Am What I Am.”

Also, all three girls sang a number that made me cry. But I’ll let my doll friend cover that. Take it away, Cecily!

Cecily: “Your humble blogger cried first during Stephanie #2’s rendition of ‘I Won’t Send Roses.’ She bawled again during Christine’s ‘If He Walked Into My Life.’ Finally, she teared up with Stephanie #1’s ‘Time Heals Everything (But Loving You).’ She really ought to carry around a water-well when she goes to the theatre.

That’s all, folks! I hope you enjoyed this trip through history with Jerry’s Girls and little me. Stay tuned for next week’s post. I promise it won’t be as delayed.

Goodbye, Miss Kathleen: Reflection on a Teacher

“Goodbye Miss Kathleen,

From the young girl in the 22nd row

Who sees you as something more than what we know,

More than just our sophomore hero.”

Knowing the subject of this post in high school taught me some important lessons…and not just the ones I got from her classroom.

Kathleen Nolan taught a few religious studies courses at St. Joseph Hill Academy high school. She was a soft-spoken woman, probably in her sixties, with short mouse-brown hair and spectacles. She was rarely seen not wearing a sweater-and-long-skirt ensemble. This God-fearing educator was also fighting for social justice…as well as a long battle with cancer.

It was she who first told me to “keep things in perspective.” She was also one of the select people who found amusement (rather than annoyance) in my histrionics. At the innocent age of 15, I admired Ms. Nolan’s strength and tact, and yet her existence also confused me greatly. I couldn’t wrap my head around why such a gentle person had to suffer in such a manner. I remember crying over her more than once. Her cancer ultimately went into remission, but she still retired the following year.

Through my fleeting experience here, I learned that bad things would happen to good people. But I also figured out that if we spread charity and decency…and maintain optimism…happiness is still a very tangible goal.

I’ve sadly come to accept that I will never see Ms. Nolan again, at least not in this lifetime. I guess it’s often impossible for teachers to know whether or not they made a difference in their students’ lives. I think everyone fails to recognize just how many people drift in and out of his or her life; that doesn’t diminish their significance, though.

So…do as Ms. Nolan did…and be good to others.

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Spotlight: The Top 10 Musical Theatre Breakup Songs

FEELS TRAIN!

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One of the great things about the arts is that is can shape our emotions. As humans, we are often very driven by those emotions. Therefore, tapping into the right ones can bring about a great deal of social/personal change. But, I’m getting a little ahead of myself. This list is fairly basic: just a compilation of, in my humble opinion, the most powerful, sob-inducing musical theatre songs about the end of a relationship.

~Always Starting Over (If/Then)

“My love, our life is over, but love, I’ll make you one last vow…to start over and over and over somehow. My new life starts right now!”

~The Winner Takes It All (Mamma Mia!)

“I don’t want to talk about things we’ve gone through…I’ve played all my cards, and that’s what you’ve done too. Nothing more to say, no more ace to play.”

~The Music That Makes Me Dance (My Man) [Funny Girl]

“What’s the difference if I say I’ll go away, when I know I’ll come back on my knees someday? For whatever my man is, I am his forevermore.”

~Burn (Hamilton)

“The world has no right to my heart…you forfeit all rights to my heart! You forfeit the place in our bed…with only the memories of when you were mine!”

~Small World (Reprise) [Gypsy]

“Lucky, you’re a man who likes children. That’s an important sign. Lucky, I’m a woman with children. Small world, isn’t it?”

~Losing My Mind (Follies)

“I spend sleepless nights to think about you. You said you loved me, or were you just being kind? Or am I losing my mind?”

~Be On Your Own (Nine)

“And you’ll take with you all you own, from A to Z, and all of me.”

~This Nearly Was Mine (South Pacific)

“Now, now I’m alone. Still dreaming of paradise, still saying that paradise once nearly was mine!”

~Send in the Clowns (A Little Night Music)

“Isn’t it rich? Isn’t it queer? I thought that you’d want what I want- sorry, my dear…but where are the clowns? There ought to be clowns. Well maybe next year.”

~We Do Not Belong Together (Sunday in the Park with George)

“No one is you, George, there we agree. But others will do, George. No one is you and no one can be. But no one is me, George, no one is me…I have to move on!”

Pop Culture Pondering: Four Reasons Why Kids Should Play Neopets

Okay, this week’s entry might seem a little random. In fact, you may have read the title of this post and thought Amanda had finally cracked her nut. But I insist, hear me out on this one.

Neopets is the original MMORPG for virtual pets, but it is so much more. It’s a whole galaxy to explore. It’s a world of people from across the Earth chatting like they’re best friends. And, of course, it is cute pixel critters that you get to bond with. The company was started by two British folks just before the new millennium. Today, it has millions of users, many of whom have been part of the site for years. I myself began my Neopets adventure when I was just 9 years old. (I’ll be 24 in two weeks.)

And while, yes, the game is highly addictive…it also taught my younger self some great skills. Here are just a few of them, and why I think it is actually beneficial for parents to setup a Neopets account for their children.

queenfyoraHTML. I am not kidding; playing Neopets taught me HTML coding. You see, in order to customize the various pages on your account, you must do all the coding yourself. Oh sure, the site gives you many templates that you can copy and paste to create layouts. But looking at these codes, over time, enabled me to learn which ones triggered such-and-such on the Internet. I still use the foundation from this to date!

kacheekswimFinancial responsibility. Not only does the Neo-world have its own stock market system, you also learn basic money management principles. See, in order to get cool things for your pets and virtual life, you need to save up Neopoints (NP). It was here that I learned how to “haggle” prices, since you can barter with the online shopkeepers to get better deals on stuff. You’ll even open your own store for other users to visit and get a sense of how supply-and-demand works.

illusendollMotor skills. One of the ways you can earn NP is by playing an endless variety of Flash games, for free! These range from arcade-style games to brain-twisting puzzles. Now, I’m not saying that you should let your tykes spend hours trying to beat their high score. But studies have shown that limited video gaming can strengthen cognitive processing and, particularly, hand-eye coordination.

kioskwockySocialization. As I said earlier, Neo-folks have formed a bustling community. Although users cannot write on the message boards until their 13th birthday, they become an invaluable resource. The Neopets staff strictly monitors their forums to ensure that they are safe for everybody. So for someone like me who had trouble interacting in the real world…the online community became a haven. Here, I could see which social protocols worked and which did not.

(Source: Neopets)

Do you love him, Loretta?

“Love don’t make things nice. It ruins everything. It breaks your heart.”

Dearest Anonymous…we had a good talk last night, I think. It always feels good when you get things out on the table, because then you can work on fixing them. Step by step.

Of course, in our case, that will take quite some time.

It’s easy to fall in love with love. It makes your brain run on all cylinders. It makes your heart race in the best way. You get this stupid grin on your face for no discernible reason. And you feel at peace with your world. In my humble opinion, love is the most important driving force of the human spirit. It’s what keeps us together as a species. When channeled, it can move mountains.

Unfortunately, no matter how powerful love is, sometimes it gets misdirected. When that happens, you get what Nicolas Cage describes in the above quote from one of my favorite movies. Or you get what’s transpired between you and me over the past year.

Neither of us may have regrets, but I will still maintain that leaving me was a mistake on your part. Maybe that’s at the core of why I seem to get pulled into your gravitational field over and over. Because I don’t believe I got a fair chance to prove that I could be what you needed.

Near the beginning of Moonstruck, Olympia Dukakis asks Cher if she loves her fiancee. When Cher replies “No,” Olympia says that this is a good thing: “When you love them, they drive you crazy because they know they can.” Well…I don’t think you are quite that sadistic! But, you will lie in the bed you made.

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For now, Anonymous, have a lovely summer, good luck with your new gig, and may we both find the happiness we deserve. See you on the flip side.

Cut Song: “Bring Me Home” from SUMMER’S CHILD

by Amanda DeLalla

HOLLY:

BRING ME HOME

KEEP ME AT YOUR SIDE AND THEN

BRING ME HOME

SO I CAN FEEL ALIVE AGAIN

SO WHEN THE SUN WILL RISE

AT EVERY DAWN’S BRIGHT CRACK

YOU CAN LOOK INTO MY EYES

AND I’LL BE LOOKING BACK

OH, WHAT GOOD IS A MEMORY

IF IT ONLY BRINGS YOU PAIN?

IF I LOSE THE PAST, SET MY SOUL FREE

ALL MY STRENGTH I CAN REGAIN

I’VE NO ENERGY LEFT TO ROAM

SO OH, OH, OH BRING ME HOME

YOU AND ME COULDA BEEN A GOOD FIT

 

DEXTER:

DON’T YOU WASTE ANOTHER MINUTE

 

BOTH:

STEP ON INTO YOUR FUTURE

AND SEE WHAT COULD BE

DON’T LET YOUR FEAR OF ONE OR TWO

KEEP YOU FROM DOOR NUMBER THREE

 

DEXTER:

BRING ME HOME

DON’T SAY ANOTHER WORD

BRING ME HOME

IT’S ALL YOU, OR HAVEN’T YOU HEARD?

BRING ME HOME

 

HOLLY:

BRING ME HOME

 

DEXTER:

BRING ME HOME

 

HOLLY:

BRING ME HOME

 

BOTH:

REWRITE THIS FATE

LET GO OF MY HATE

IF YOU’LL GAIN WHEN YOU LOSE

 

HOLLY:

THEN I KNOW WHAT I SHALL CHOOSE

 

BOTH:

AND BRING ME HOME

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(Source: Christopher Clark)

Goodbye, Amelie: Shows That Could (in theory) Play at the Walter Kerr Theatre

The theatrical industry is kind of a funny animal. You just never know what will catch on and what won’t. Many things factor into this: word-of-mouth, critics, award season, marketing, and pure luck. And for one reason or another, Amelie (a musical adaptation of the beloved 2001 French movie) just couldn’t make enough stars align. The show (which I quite enjoyed) will play its final NYC performance at the Walter Kerr Theatre on May 21st.

This venue is named for Pulitzer Prize-winner Walter Kerr and opened in 1929. (Today, it is operated by the Jujamcyn Company.) With a seating capacity of just over 900, it is one of the smaller Broadway houses and therefore well-suited to plays and cozier musicals. Its external marquee, with the bright blue lights, is one of my favorites.

That being said, let’s look at a few shows that might inhabit this theatre as well as a few that won’t…but could, in theory.

heathers5 Heathers (New World Stages, 2014). Many a fangirl wished this show, based on the cult teen movie, would transfer to Broadway after its premiere run. Although that seems unlikely three years after the fact, it would still be hilarious to see a musical of this subject matter stand with the likes of Dear Evan Hansen or Come from Away.

taste0037_orig A Taste of Things to Come (York Theatre Company, 2016). Similarly, this small-scale show about women’s roles from the 1950s-60s probably belonged Off-Broadway. However, one of its calling cards was the fact that it also had an all-female cast and band; we could always use more of that!

cyclone0888r Ride the Cyclone (MCC Theater, 2016). This musical is about a group of teenagers vying for the afterlife in the wake of a horrid rollercoaster accident. It seemed to divide public and critical opinion but still managed to be nominated for several awards.

mbutterfly_content M. Butterfly (Planned for the 2016-2017 Broadway season). Now this production of David Henry Hwang’s classic play, directed by Julie Taymor, is confirmed to come to Broadway this year. The only question is which theatre will be chosen- and the Walter Kerr could be an ideal space.

twood_sg_07 The Secret Garden (Seattle Shakespeare Theatre, 2016). Rumors have been swirling that this acclaimed production of the show, featuring Daisy Eagan in a new role, has its eyes on a Broadway transfer.

Alternately, the powers-that-be could just annoy Lincoln Center Theater enough for them to bring Falsettos back.

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In Which I Take the NBC Studios Tour

Note to self: Don’t attempt to take an hourlong tour during a lunch hour. As I should have known from my past tour guide job- it will run long and then you’ll be rushing back to your building in 75-degree heat. But I digress.

As promised, folks, this is a special recap post of my journey through the innards of NBC Studios at 30 Rockefeller Plaza. Incidentally, you probably noticed that my blog has a brand new look, too! I didn’t actually plan for these two to coincide. Anyway, entry into my 1:20pm tour cost about $30, which wasn’t too bad for a single person…but I can see how a large family might run into problems with that admission.

After checking in at the gift shop, I was given a really pretty pin to wear for the duration of the tour (and keep after it was over). There were about three different stations of security check as well- understandable. There were 12 of us in the group, and we were then introduced to our guides Ariel and Deborah, both students in the elite NBC Page program.

The tour officially began with a short video (hosted by Al Roker, of all people) that explained some of the history and significance of NBC. After heading up the stairs, we were in the rotunda; this is where audiences for the live broadcasts are corralled. This rotunda is a throwback to the original Art Deco designs of 30 Rock.

The first studio we visited belongs to Nightly News with Lester Holt. It was a cozy, sleek room with wood panel floors and plenty of lights and cameras. Ariel and Deborah explained that this studio is also the one that gets used for breaking news stories, as its technologies are well-suited for change on-the-fly. As we left, we saw a glass casing that memorializes NBC journalists who died in their line of work.

To balance this somber moment, we next rode an elevator to what the girls called “the comedy floor.” Sure enough, they had an entire hallway dedicated to Saturday Night Live, including production stills from past and present seasons. When we entered the studio where the show is filmed, I was surprised at how simple it looked! Indeed, a lot of behind-the-scenes magic occurs on the three parts of the SNL stage. Sets are assembled and taken apart in the span of a commercial break! And did you know that “Weekend Update” is the only sketch that occurs every single week?

As we proceeded, Ariel and Deborah mentioned that we may or may not get to see Jimmy Fallon’s studio for The Tonight Show. But we were lucky enough to catch them on a lunch break, so in we went. Fallon’s desk and his announcer’s podium looked very different than on television; as we learned, this is all due to great camera tricks. The Roots band gets their own “pit” on the opposite side.

After another short elevator ride, we arrived at the control floor, where hardworking production people manipulate the technology. We saw rooms at work with cameras, audio, and music mixing (one guy even waved at us). It was also time for the zenith of the tour: an interactive mock talk show, starring us tour guests.

We were each assigned roles- I volunteered to play the celebrity guest, because it was the only part that wasn’t totally scripted. And, well…let’s just say I hammed it up like a butcher shop. Don’t believe me? Just watch!

All in all, The Tour at NBC Studios was a really cool way to spend my lunch hour. I had fun, I learned some interesting information, and- perhaps best of all- it enabled me to get one more notch on my NYC adventure bedpost. Well, so to speak!

Songs You Probably Didn’t Realize Are About Dark Things

Mind=blown.

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The clock at Grand Central Terminal waits for nobody.

“Blown Away,” Carrie Underwood. What it’s about: In this song from Underwood’s album of the same name, the story centers around a girl with a dead mother and an abusive, alcoholic father. When a tornado hits their Oklahoma home, the girl leaves her passed-out father as she locks herself in the storm shelter. We can assume that he is destroyed when the twister rips through the house. Ouch!

“Unworthy of Your Love,” Stephen Sondheim. What it’s about: At first glance, this number from the Broadway show Assassins sounds like a standard, beautiful love ballad. But it takes on an entirely different tone when you realize it’s being sung by Squeaky Fromme and John Hinckley- a wannabe Manson follower and Jodie Foster’s stalker, respectively. These two also attempted to assassinate U.S. Presidents in an effort to win their beloved’s attention. Now that’s what I call tainted love!

“I Don’t Like Mondays,” The Boomtown Rats. What it’s about: This staple rock song is deceptively catchy for such dark lyrical inspiration. The title comes from a quote by Brenda Ann Spencer, a troubled teen who was asked why she sniped ten people in a playground (two died). Though composer Bob Geldof received some flack for allegedly “exploiting a tragedy,” which he denies, the record became the Boomtown Rats’ biggest hit.

“Pumped Up Kicks,” Foster the People. What it’s about: In a similar vein, the earworm-worthy hook of this band’s debut single masks some morbid subject matter. When closely listening to the lyrics, it becomes clear that the song is about a school shooter, in the vein of Columbine. “Pumped up kicks” refer to the designer shoes worn by the narrator’s intended victims. The lead singer, Mark Foster, said that he wrote the piece to raise awareness for teen mental illness.

“Sweet Painted Lady,” Elton John. What it’s about: A majority of the tracks from Elton John’s smash Goodbye Yellow Brick Road album manage to be incredibly fun while telling some grim tales. In this slow, sea-soaked jam, a sailor sings of the prostitute he’s hired for the night and wonders how she feels about the life she leads. With its thoughtful lyrics by Bernie Taupin, the song achieves a certain poignancy.

“At the Ballet,” Marvin Hamlisch. What it’s about: This number from A Chorus Line is a semi-torch song for a trio of women. Typically sung by soubrettes, it conveys three distinct dramas that have something in common: their heroines all found relief when they went to the ballet. Sheila’s parents had a loveless marriage, Bebe’s mother made her feel unattractive, and Maggie’s father was absent entirely. Audiences who get lost in the glitter of the show tend to forget the inherent sadness of this scene.

It Ain’t Festivus, but I’m Airing Some Grievances

  1. The Broadway.com Awards are the epitome of why “the public” can’t be allowed to vote for anything in the entertainment industry. Why? Because “the public” voting on their smartphones is mostly comprised of close-minded teenagers who are just getting exposed to the theatrical world. Disclaimer: There is absolutely nothing wrong with that. Hell, my first “gateway show” was Wicked. Everyone’s got to start somewhere. But unless voters adequately acquire the breadth of knowledge required to judge performances…awards turn into a popularity contest. Which is fine, but then it should be touted as such. Call the category “Favorite Working Actress” instead of “Best Performance by an Actress,” so that when Idina Menzel or Laura Osnes win for shows that close in less than 6 months, it’ll make sense.
  2. On that note, the notion of “parody” adaptations being protected from copyright suits is starting to bother me. You make a mockery out of someone else’s work, and it’s totally fine. You lovingly adapt someone else’s work because you respect the material and want to see it anew, and suddenly you’re cutting legal red tape. It hardly seems fair…but as a friend pointed out to me, it’s also hardly about the art when dollar bills start falling into people’s laps.

breaking

…So to speak.

Okay, my rant’s over.